Category: Philosophy

I would like to share a little writing which demonstrates correspondences for Eastern terms and concepts with more elaborately explained concepts/design. This was inspired by a description of how the Universe came/comes into existence by John Lily, and I thought of the correspondences. There is more you could do, with various spiritual systems, but here is what I have for now.

Before Beginning(of Time/Space): Sunyata(emptiness/void)
From void Came Brahma(Growing/Choosing-God)
Then Self(Atman) was realized; Consciousness-Without-Object
Then the first notion of an Object arose; Unity(of time/space), 1
Then polarity arose, which would always equal out to 0, all the way up to infinity.

That which becomes all experiences: Brahma
That which is the experience itself: Vishnu
Spontaneous creation & destruction of every reality/moment from Void: Shiva
Sensual-Body: Soma

Neurologically speaking, dopamine and serotonin are two of the primary NeuroTransmitters. Really Neuro-Psychology is a complex game, involving many potential variables and interactive mechanisms. Nonetheless, I am writing this to provide some basic NeuroLogical structure to this common knowledge of the brain, and the nervous system.

Now, let us explore the repetition of habit vs. novelty, and our pursuit and avoidance of each. These basic principles would hold true in both spatial and temporal dimensions. Dopamine, Dopa, sets off our projected fulfillment mechanisms. Based on past conditioning, we create an ‘object’ or ‘process’ to associate with the essential want or need that we feel. When we see a girl who we find attractive, we begin getting excited. We have been conditioned to be attracted to this ‘object’, or ‘process,’ and the dopamine starts going off when it is perceived as being possible.

Now, Serotonin is designed to associate with actual experiences of pleasure. When you are actually being fulfilled in your desires, the serotonin starts flowing. Now, you may perceive something you desire, and start using up some Dopamine. But if you are not being fulfilled, not getting that Serotonin kick, you’re gonna trend towards what they call ‘novelty addiction.’ Novelty is basically good, it is only ‘bad’ when we cannot be fulfilled in our desires. Thus the push is to deny our desires, rather increase the potential for fulfilling those desires. This is where we go wrong as a society. And, looking at these basic principles of Neuro-Psychology, we can describe its process and reasoning intelligently and specifically.

“Secret of the Golden Flower” is a brilliant chinese alchemical text, and I am going to explain some of the principles mentioned within it. What it calls the Heavenly Heart refers to the pineal gland, or the third eye. This is an electro-magnetic navigator. It is connected to undistorted space-time signalry, which is the 4th dimension. The 3rd dimension is actually the product of space-time distortion; the space-time itself exists, in non-distorted form, in a 4th dimension. The 4th dimension consists of the inter-play of the pure elements of reality, without distortion. 3rd dimensional reality consists entirely of the distortion of these signals by the interplay of electro-magnetic forces between 3-dimensional bodies. In “Secret of the Golden Flower,” a text on Chinese Alchemy, the pineal gland, or third eye, is called the Heavenly Heart. It is further called seed-water, eros.

When space-time creatively expresses itself in 3-dimensional space, a dichotomy is created. One manifestation of this dichotomy is between anima and animus. Animus is the masculine principle, of heaven. Anima is the feminine principle, of earth. The anima is the substrate of form. She is the essence of change itself, and is found within the body.

The pineal gland is related to the eyes. The eyes are like emissaries for the third-eye. The eyes, as pineal emissaries, are designed to specifically tune in to a defined range of electro-magnetic signals. The pineal gland, being in touch with the periodic cycles of the elements, is able to take in information from this limited band-width and sort it according to these patterns, which are found everywhere, at all scales. This ‘Heavenly Heart’ is the dwelling of the animus. The animus lives in the eyes during the day, and is what allows us to see. At night, it is what gives us our dreams.

There is an energy center inside of your stomach about an inch inside. This is sometimes called the tan t’ien, in Zen and other schools. “Secret of the Golden Flower”  calls this thought-earth, the Heavenly Heart of the middle house. This is the house of wu wei, effortless effort, doing without doing. It is the energy-center of intuition. The dwelling place of the anima is in the heart, called ‘the lower heart’ in chinese alchemy. Here is the energy-center of our desire, of our raw passions and emotions. It is here where our bare humanity lies. In your throat is the energy center for self-expression and creativity. This is called spirit-fire, and it is the light, the logos, or the word.

The basic method is circulating light and energy through the pineal gland, through which one gains mastery of the anima, which is the principle of limitation. From Secret of the Golden Flower, “If this method is followed, plenty of seed-water will be present of itself; the spirit-fire will be ignited, and the thought-earth will solidify and crystallize. And thus can the holy fruit mature.”
The meaning is this.
‘Plenty of seed-water will be present of itself”: Through circulating light and energy through the pineal gland, you will naturally be in tune with the patterns of reality. You’ll be in harmony with the Universe.
“The spirit-fire will be ignited”: You will gain touch with the essence of true creativity. Self-expression will flow through you, as if you are a conduit for the energies of the Universe-at-large.
“The thought-earth will solidify and crystallize”: Your very instincts will begin to function according to the patterns of the Universe. Therefore, you will have succeeded in bringing undistorted ‘heavenly’ signals, or elements of 4th-dimensional space-time, into this very physical world.

The phases of the Moon represent the cycles of time itself. From these cycles, all time flows. From the biggest to the smallest scales, as a fractal, all things flow according to these cycles. The image of Tao, with its yin and yang, represent the flowing of this process. You can see the cycles in the Trigrams of the I Ching. The Waxing Moon, as the moon is growing, represents the increase of yang-energy. The Waning Moon represents the increasing yin-energy.

The I Ching trigram is a diagram of the flowing of the times, the seasons, the play of energy-essences. The solid line represents yang-energy, and the split line represents yin-energy. Here is a key to interpretation. The bottom line represents self-expression, as in the subject The top line represents the object, as in object of awareness. The middle line represents the meeting of the subject and object, the verb, activity. In the first sentence of trigram interpretation, I will break down the meaning of each line of the trigram according to the structure bottom-middle-top.

Earth: yin-yin-yin: No self-expression, nothing to do, nothing to observe
This represents the Dark Moon and the New Moon. Notice the total yin-energy, ‘darkness,’ silence. It represents a sort of extreme passivity, or acceptance of all. Since is the transition point linking the end point and the beginning point, this is the ultimate complexity. This means that the yin, feminine, Goddess is technically more primary, or ultimate.

Thunder: yang-yin-yin: Self-expression, nothing to do, nothing to observe
Waxing crescent moon, occurs in the beginning of the process of increasing visibility, amount of light. The yang energy is beginning its ascent. Life is beginning to flower. It represents an inner passion. A territorial sense, desiring freedom of movement and expression. beginning of the ‘God’ chasing the ‘Goddess,’ the masculine principle

 Water: yin-yang-yin: No self-expression, activity, nothing to observe
Waxing Half Moon, of increasing light. Immersion into reality. When doing something, there is only that doing. When writing, just writing.

 Mountain: yin-yin-yang: No self-expression, no activity, something to observe
Waxing Gibbous moon, nearing complete light. In awe of the magnificence of what is naturally there. Awareness.

 Lake: yang-yang-yin: Self-expression, activity, nothing to observe
Full Moon, complete light. Self-chosen activity. Conscious decision-making.

Fire: yang-yin-yang: Self-expression, no activity, something to observe
Waning Gibbous Moon, decreasing light. Watching and feeling, but doing nothing. Self-expression fulfilled through observation.

 Wind: yin-yang-yang: No self-expression, activity, something to observe
Waning Half Moon, decreasing light. Read and react. Play-acting. Maya- illusion. Lila, reality-as-a-play.

 Heaven: yang-yang-yang: Self-expression, activity, something to observe
Perfect unity. Personal preferences guide actions, and it fits perfectly with the situation you are in, and the people, who are in full agreement.

So this is the basic pattern through which time travels. These are the ‘seasons’ of nature and life. This process and these elements are the source of all mythology, rituals, and general compulsions. At any scale of time, or any scale in space, range of influence, reality functions through this essential process.

There are four layers of the one mind, the one consciousness. By descending through these four levels, you eventually get material reality from the realm of infinity. The Jewish Qabalists called these layers the four worlds. They are, truly, as four realms of existence. I will explain these four worlds, including the qabalistic names for them, as well as some correspondences to elucidate the meaning. Note that these exist in a wide-scale, as in the creation of the entire universe. Yet, simultaneously, it is possible to note this process occurring within yourself. The entire pattern, or process, of creation is going on within yourself, right now. You must simply learn to become aware of the process as it occurs.

In order from deepest level to most surface level…

1. Qabalists called this the world of atzilut, meaning ‘eminated from,’ as in eminated from the Infinite. This is also called the archetypal world. It represents the collective unconscious, the sum of all the archetypes, the shared, essential elements of experience. This is a masculine principle; it represents stillness. This is because it does not change. This is the Y of the tetragrammaton, most holy name of god in the hebrew tradition: YHWH.

This is yud, ‘Y’

2. This is called the world of b’riah, creation. This represents the soul. Alternatively, this represents the individual subconscious. This is one individual arrangement of the archetypes. This represents the feminine principle. It is the first H of the tetragrammaton.
This is heh, ‘H’

This is called yitzirah, the world of formation. It is said that in this world, concrete plans of creation are made, concrete steps to manifestation. It is also said that emotional involvement occurs at this stage. This represents the conscious mind. It is the essential premise, or assumption, behind any experience. It is the imminent potential for experience, or perception. You could also say this represents the ‘medium’ behind Marshall McLuhan’s famous phrase, “The medium is the message.” This is the W of the tetragrammaton.
This is vav, originally ‘waw,’ W.

4. This is called the world of assiyah, action. This represents physical reality, material existence. It is called ‘The Kingdom.’ At this level there is apparently total independence. This is the ultimate goal, or purpose, of creation. This is the ego. It manifests as external ‘things,’ or as self-driven actions. It is the message in McLuhan’s “The medium is the message.” This is the 2nd H of YHWH.

This is the tetractys, mystical shape of Pythagoreas. It is represented using the four letters of YHWH, though. The top point represents the first world, the collective unconscious, and working your way down is working your way towards the most surface level of consciousness. Notice how the letter of each of the worlds is added onto the existing one each level down, but the existing letter remains. This is because the influence of the previous ‘letter,’ or world, or level of consciousness, continues to have its impact on each level down. And yet it moves more into the background at that level.

For things to flow smoothly, efficiently, and desirably, each level must have a trust in the level above it. This is because any given level is a limited selection of the options presented at the higher level. Ego is a selection, an identification, of the possibilities generated by the essential premise of the conscious mind. Similarly, the premise of the conscious mind is a singular manifestation of the wider pattern of elements that is the individual sub-conscious. The individual subconscious is one possible arrangement of the archetypes, the elements in the collective unconscious. By definition, then, no level can ever know more than, or even as much as, the level above it. Thus if one acts without trusting the level above, confusion inevitably follows.

I would like to propose a theory about the structure of reality. I was just inspired of it, and instinctually it seems very exciting to me. It unites the fractal theory of the Universe with wave-particle duality, the knowledge of left-right brain hemispheres, and the idea of the Universe as Information. I am personally very excited about this right now, but this may be an example of something that is difficult to properly communicate the signifiance of. Lol. We will see. Plus it is quite long, so there is that. I wanted to make a visual model to help illustrate exactly what I am talking about, but I found that was not going to be a task I could do so quickly and easily. Therefore, I decided against, and to just continue my writing. Hopefully this will interest some, anyways. lol.


If you look deeply, you will see that the wave-particle duality mirrors a duality within our own brain, the duality of the left and right hemispheres. First let me propose a visual description of this concept. This can be seen as the operating ‘formula’ behind reality, creating all aspects of reality, at all scales. It is, of course, not limited to this visual-model, but to understand the correspondance between all of this you will have to understand the underlying principle.


To make the principle more clear, I am going to begin with linear, left-hemisphere, ‘particle-reality’ explanation. It seems, to me, arbitrary to try to find what comes ‘first,’ or is ‘more real,’ particle or wave. They are mutually dependent. So we will imagine a single particle, or a single dot in empty space. Consider the particle going ‘down’ and ‘to the right’ a certain amount of distance(there is, of course, no ‘up-down’ or ‘left-right’ in empty space, but we use this phrasing to assist in understanding). After this, it would return backwards in one of the initial planes, or dimensions, and continue in the same direction in the other. So, supposing the first movement was down and to the right, the next would be back up, and still to the right. At each point where the motion changed directions, a new particle is created.


It continues this process, each path being exactly equal in terms of distance and spatial relationships. It would do this until it reached the end of its ‘field,’ or the boundaries of what ‘it’ is, which most generally be defined by the ‘observer,’ or the linear-model imposed upon it. This linear-model would impose the general ‘system,’ in terms of material appearance, and the distinctions between the various ‘things.’ Once it reached this end, it would go directly up or down, whichever created a straight line in closure. It would then repeat the exact same process in reverse, down and to the left. Once it reached the end, you would have a series of particles/dots in a straight lines defining the ‘top’ and ‘bottom.’ To give a description of a visual depiction of this particular part of the process, let me mention the infinity sign. Suppose that you viewed the infinity sign in terms of a dot at every change of motion. Notice how it creates a close-system, whereby you can continuously repeat this process of motion. That is not exactly the same, but it helps you to understand.


Upon the completion of this, it would repeat the process, only this time going exactly half the distance horizontally. It would go right then left, creating another perfect creation of equi-distant lines defining the top and bottom, this time each point having half the distance. It could theoretically repeat this process ad-infinitum, creating a more and more complex, and more and more ‘dense,’ or ‘subtle’ system. The model composed after each left-right rundown could be seen as its own ‘dimension,’ or ‘scale’ of reality. The ‘reality’ of what is ‘really there’ would be an incomprehensibly complex pattern of particles, getting infinitely more complex as it continuously repeats this basic pattern, which defines its organizational structure. One could only possibly perceive the system to the capabilities of his own mind to organize the material. The infinite repetition of the pattern would not be recognized by the observer. It would be seen only to the degree of subtlety capable of being perceived by the mind of the observer. This would imply his degree to create meaningful distinctions, and he would organize the scale he was able to perceive according to his own pre-defined models or maps.


Now let me explain how this ties into the wave-model of the Unvierse. As I said, the particle-model just provides an understandable baseline for physical reality. Every single particle in this logical-model for particle-distribution would emit its own energies,  and the energies of each of these particles would interact with each other to create an even more(much more) complex model of what is there. Note that the observer is an integral part to this process. Through observation, information is created about the available data of mass and energy, particle and wave. The particles and waves, then, are organized according to the modeling of this information, provided by the observer. Thus you can see the usefulness of this model of reality, as it unites many of the exciting new theories about reality. This can be seen as a mathematical fractal pattern repeating, creating the infinite depth of matter and energy.  Beyond this, the observer, consciousness, is an essential part, for it must compute the available Information; Information is the essence of the Universe.

I think it is only fair to first explain the perspective that is driving me to seek, and is guiding the process of, this interpretation. I believe that DNA, the source of all life, is a higher intelligence, or a message left from a higher intelligence. It codes all life, and life itself is the message. It is the expression of a higher intelligence. All of the religions, the philosophies, the stories, the poems, the art, and various cultural expressions, are coded messages from this intelligence that we call DNA, as mediated by the nervous system, itself designed by this higher intelligence. I decided there must certainly be a hidden message in the biblical story of creation, just waiting to be decoded. As I began, it was just like that. A coded message, which my brain was to decode. This is my transmission then, as mediator between the Genetic-Intelligence, which one may not unjustifiably call God, and you. I am the mediator in that the biblical story of creation is a coded message from DNA, and I am going to help decode it.

Verse 1: ‘Created Heaven and Earth’: Heaven representing the higher, divine, evolved principle. Earth representing the lower, base, primitive principle. ‘Lower, base, primitive’ may seem to imply something less than the other principle, but these are just metaphor. If you understand the signal, the meaning, these words won’t confuse you.

Verse 2: ‘Earth without form and void’: The lower principle exists originally as pure potential, the Unmanifest. Kaballah says Earth was created because God desired a dwelling-place in the lower realms.   This dwelling place is the Sephira, the spirit or emenation of God, called Malkhut, which means the Kingdom, as in the Kingdom of God or Heaven. From one perspective, Malkhut, the lower realm, Earth, is the most base, mundane and low of all aspects, realms, or sephirot of God/creation. This is according to the path of ascension, since it is lowest on the down-up path. On the path of emenation, however, which is up-down, and the perspective of the Most High, it is the glorious culmination of creation. ‘darkness upon the face of the deep.’ Since ‘Earth’ represents the lower principle, and it is unformed, and therefore without limitation, it is called ‘the deep.’ ‘Darkness’ refers to the void, and the passage implies the inherent first existence of the void, or darkness. From this primal state, God, the light, the active principle, begins his work; this culminates in Malkhut, ‘Earth,’ which has been biblically called darkness, without light, nothing, thus representing the completion of the cycle. Darkness-light-darkness. ‘Spirit of God moved upon the face of the waters’: Active principle, God, light, began its work on the pre-existing, passive void. Called ‘waters’ to reference the fact that it is flow, without resistence.

Verse 3: ‘Let there be light’: God began the downward path of emenation.

Verse 4: ‘Light was good…divided from darkness’: The darkness is beyond all notions of ‘good’ and ‘bad.’ It is also without ‘life’ as we think of it. Life has the natural drive for the good, the beneficial, the pleasurable, thus that principle, called ‘light’ and ‘good,’ was created, as the balancing force, ‘separate from’ the darkness, the void. ‘Darkness’ is the inherent existence of the Universe. It is ‘cold’ in that it has no relationship to life. It represents the principle of entropy, whereby systems increase in disorder over time, which is the opposite of conduciveness to life. ‘The light’ is life, and it represents negative entropy. With the light, and negative entropy, systems tend to increase in both complexity and order. It, therefore, represents evolution. Life, the light, is therefore the great balancing force in the cosmic equation that is existence. Life and evolution, the light, is good. Without the light, things just are. No pleasure, no joy, no increase of intelligence. Though perhaps one could say these things are not ‘necessary,’ it is good, and it is why we are here, and it brings balance.

Verse 5: ‘And the evening and the morning’: As previously stated, the void was first, thus the evening is before morning. Entropy, because of its constancy, is said to be an arrow of time. Light and dark, order and disorder, entropy and negative entropy, are thus intimately connected with time. This is why day and night is separated, to indicate time. Now just as entropy has a constant ‘direction’ thus its relationship to time, so to does negative entropy, and its is opposite. Thus you get the two opposing directions, which is related to the ‘path of ascension’ and ‘path of emenation’ I referred to previously. The distinction between ‘light’ and ‘dark’ also is the initial introduction of duality.

Verse 6/7: ”Let there be a firmament…to divide the waters above from the waters below’: The division of light and dark, day and night, entropy and negative entropy, created duality in time, as the two imply opposite ‘directions’ in time. Time and space being intimately connected through space-time, a duality in space naturally followed. Thus a firmament was created to divide the ‘waters,’ which means the flow of energy, into its basic duality. ‘Firmament’ generally means a physical thing, expansive, referring to the neverending duality of physical reality. This barrier between the polar ends, ‘the waters above and the waters below,’ is itself the connecting thread between them, through which they are one. The uniting thread between all polarities is the key to all things, thus the firmament is called Heaven, as per verse 8.

My body is my Temple. Anything that distracts me from reclusive and absorbed presence in the Temple is irreverent and irrelevant. This Temple is inherently there. No movement or action is required at all to be in your Holy Place. Any movement that is not purposefully of a pragmatic or ecstatic nature should be discarded. This means movements of body, but it also means movement of the eyes, and speech, and mental activity. So much of our energies are used for completely pointless activities. We sit around and fidget, move our eyes around, and analyze everything, because we don’t know how to be still, and feel we always have to be doing something. Ecstatic union with God is impossible in such a state.

Our baseline of ‘stillness’ is actually quite a high amount of movement or perceptual activities, and we become entirely de-sensitized to that range of activity, as if it is nothing. All things that happen to us are judged in relation to that baseline, which is a farily high level of activity. We have no sensitivity. We cannot experience ecstacy. We cannot know God. All of this unnecessary activity degrades your Temple. The aim of life is to know Self, to know God. God is not found through activities in the world, but through seeking him in his Temple, your body.

Let me try to paint a brief visual picture, for the purposes of assisting in understanding some of what I am about to talk about. Imagine a dot sitting in the center of two circles that surround it. This ‘dot’ is your center, your true nature. It is choiceless awareness, the flow, what comes before all perception and thought. The circle nearest the center is your mental overlay on reality, your ego-intention. The more you place your concepts over reality, and the more you act out of ego-intention, the further out this circle goes. The further out circle is perceptual intensity. Through deviating from the center in mental overlay and ego-intention, the inner-circle expands, which decreases the relative intensity of perception, since as it expands it goes nearer to that circle. You can see, then, that there is an inverse relationship between perceptual intensity and the amount of mental overlay and ego-intention.

Thinking about reality in terms of preferences increases the ego-circle, as does activity just for activity’s sake, as well as trying to force thought or action in response to uncertainty or confusion. A decrease in relative intensity of perception creates dullness, and also causes reality to work less hard for your attention. Perceptual intensity can be interpreted as how hard reality works for your attention. It often plays off things you want, but at less intense levels it generally alludes to things you want, to stir up mental activity without actually bringing about fulfillment. When we continuously deviate from center chasing after un-fulfilling allusions to things we would like, reality sees that it doesn’t have to give you much to get your attention, and so it continues to give you things of the same degree of intensity.

Through remaining centered during these references, reality sees it must work harder for your attention, and so higher levels of perceptual intensity come about, increasing the amount of true fulfillment. Perceptual intensity tends to be somewhat static, but if we can remain centered during these standard levels of perceptual intensity, this will increase energy levels through increasing perceptual intensity. When a relative increase to perceptual intensity occurs, become single-pointedly focused on that perception, without mental overlay. This will allow you to ‘soak in’ the higher energy levels, without being deviated from center.

TV is the basic inspiration for our realities today, the standard reality-creation device. The dom-society  flood your screens with various shows, all apparently separate, in order to validate the ‘reality’ of your reality-notions, your personal TV show, which really has been created by them in the first place. The technique is to create validation from a large number of sources, thereby solidifying that notion of reality in our minds. From there, we design our sets, do our casting, and write our scripts, after that format. This is the technique of the dom-society to get the masses to formulate their realities in a certain way, but this isn’t their inherent power. This is just the way reality works, that they utilize for their own purposes. Through proper understanding, and utilization of that understanding, we can use these same techniques to design our own realities.

They flood your screens with standard sets, props, character-themes, and demonstrations of proper and improper moral-behavior. This programs our minds to think things ‘are’ a certain way, or ‘should be’ a certain way. Suddenly, we find the characters that we have seen on our screens in our lives! Suddenly, the plot structures we have noticed on our screens can be found in our lives! Your ‘reality’ is really just your own little section of the large-scale TV-studio society that is America. Develop your own characters, your own plots, your own set. Take control of your little slice of this industry. Develop your inner-reality thoroughly, and then bring about a merger with your inner-reality and your outer-reality. From here comes the great game of life, a playful interaction between the inner-world and the outer-world, where each flows into and inspires the other.